Things to Do, Arts & Culture

Benedetto Lupo Plays Schumann and Brahms: Rome's Mid-Winter Classical Highlight

Alyssa, WhatsOn local events writer

By Alyssa | WhatsOn local events writer

Alyssa picks out timely events, local favourites and useful places to eat, stay and explore.

Quick details

WhatSchumann / Brahms with Benedetto Lupo
Date27 January 2027
Time20:00
WhereAuditorium Parco della Musica Ennio Morricone (Sala Sinopoli)
More infoEvent information
Contact06 802411

This winter, Rome’s classical music calendar reaches a captivating peak as acclaimed Italian pianist Benedetto Lupo brings his mastery of the Romantic repertoire to the Auditorium Parco della Musica Ennio Morricone. Set inside the acoustically brilliant Sala Sinopoli, this one-night-only performance pairs the erratic, poetic shifts of Robert Schumann with the deep, structural resonance of Johannes Brahms. Presented by the prestigious Accademia Nazionale di Santa Cecilia—one of the oldest musical institutions in the world—the Schumann / Brahms with Benedetto Lupo Rome concert serves as a sophisticated anchor to the city's cultural season. For international visitors and local classical aficionados alike, it offers a rare chance to experience a world-class soloist in one of Europe’s finest modern venues, trading the bustling ancient ruins of the capital for an evening of profound, focused artistry.

Sweeping Romanticism in the Sala Sinopoli

Stepping into the Sala Sinopoli, the atmosphere is distinctly focused and visually stunning. The rich cherry wood panelling of Renzo Piano’s architectural marvel doesn't just look spectacular; it acts as a warm acoustic embrace, carrying every nuanced strike of the piano keys directly to the listener without the need for artificial amplification. When Benedetto Lupo takes the stage, expect a palpable hush to fall over the tiered seating before the first chords strike.

Renowned for his lyrical touch, flawless technique, and profound interpretative depth, Lupo ensures you won't just hear the notes—you will feel them. The programme demands an immense emotional range. You will experience the frantic, almost breathless passion of Schumann’s compositions, which often mirror the composer's own turbulent mind, transitioning seamlessly into the heavier, mathematically brilliant symphonic textures of Brahms. It is an evening of intense intellectual and emotional engagement. The sheer dynamic shifts—from thunderous, sweeping bass notes that vibrate through the floorboards to delicate, whispering treble melodies—create a soundscape that commands utter attention. Even casual listeners, perhaps unfamiliar with the intricacies of 19th-century sheet music, will find themselves entirely swept away by the sheer technical brilliance and the dramatic tension echoing through this masterful space.

A Gathering of Rome's Classical Aficionados

There is a distinct, comforting rhythm to a Santa Cecilia concert night in the Italian capital. The crowd that filters up the sweeping outdoor steps of the Auditorium—often illuminated beautifully against the dark January sky—is a wonderful cross-section of Rome’s cultural life. You will spot lifelong season ticket holders greeting each other warmly, eager conservatory students clutching worn orchestral scores to study Lupo's fingering, and international visitors seeking an elegant cultural escape from the crisp winter air.

As the foyer fills with the low hum of rapid-fire Italian conversation and the familiar clinking of ceramic espresso cups from the venue's stylish bars, the shared anticipation becomes infectious. This isn't a stiff, unapproachable environment; rather, it is a community united by a deep, enduring appreciation for musical heritage. Once the auditorium doors close and the lights dim, that lively social energy transforms instantly into a respectful, deeply attentive silence. It is an audience that truly knows how to listen, hanging onto every pregnant pause and triumphant crescendo, and rewarding the performer with rapturous, thunderous applause the moment the final note fades.

Know Before You Go

  • Book promptly: Tickets for the Accademia Nazionale di Santa Cecilia chamber season sell out quickly, especially when featuring renowned homegrown soloists. Secure yours well in advance via the official Santa Cecilia box office.
  • Timing your arrival: Aim to arrive at least 45 minutes before the start time. The Auditorium Parco della Musica is vast and complex. You will want plenty of time to admire the architecture, pass through security checks, and find your seat in the Sala Sinopoli without rushing.
  • Getting there: The venue is located in the elegant, residential Flaminio district. Tram 2 from Piazza del Popolo (just outside the Flaminio Metro stop) drops you very close to the venue at the Apollodoro stop.
  • Dress code: While there is no strict black-tie rule, Romans tend to dress elegantly for evening classical concerts. Smart-casual attire or traditional evening wear is the norm and will make you feel perfectly at home.
  • Cloakroom: Winter coats and umbrellas are bulky, but the venue offers an efficient, complimentary cloakroom service to keep you comfortable in the climate-controlled hall.

Make a Weekend of It

Since the concert demands an evening start in the northern part of the city, spending your afternoon soaking up the historic centre is the perfect prelude to your musical night out. You can begin your day near the Spanish Steps and Piazza del Popolo, which conveniently serves as the starting point for Tram 2 up to the Auditorium. Before hopping on the tram in the early evening, indulge in a pre-concert treat at Venchi Cioccolato e Gelato, Roma Via della Croce, Piazza di Spagna. Yes, gelato is a year-round affair in Rome, and their rich cremino and dark chocolate flavours are exceptional even in January.

If you prefer to make a full day of it, book a late, leisurely lunch at Ristorante Alfredo alla Scrofa for their legendary, table-side pasta preparations. Alternatively, head towards the Pantheon for a more relaxed, modern bite at Zia Rosetta, where the warm welcome from the staff and refined, creative takes on Roman dishes set a lovely tone for the rest of the day.

For those looking to extend the cultural high into the following day, plan a venture across the river into the atmospheric cobbled streets of Trastevere. After a morning of gallery hopping, you can join the lively crowd at Tonnarello for acoustic guitar music and comforting meatballs, or settle into Rione 13 Ristorante where the attentive service and superb regional wine list make for a truly memorable dining experience. Finally, if you're seeking a hearty, traditional meal to cap off your weekend in the historic centre, the beautiful 15th-century palazzo setting of Osteria di Ponte offers brilliant grilled meats and Roman classics, keeping you perfectly fuelled for whatever adventures the Eternal City brings next.

I’ll see you in the foyer for a pre-concert espresso, Alyssa for WhatsOn.

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